Smells like success

From a defunct monthly publication: La Canadienne, July-August, 1921.
Here’s my translation:
Your face is beautiful
But what about your nose?
Nowadays, if you want a successful life, it is necessary to to pay special attention to your appearance. Not only do you want to look as attractive as possible, primarily for your ownsatisfaction — and that’s a good enough reason alone, but you also realize that the world increasingly judges you foremost, if not exclusively, on your countenance. Therefore, it would benefit you to look your best at all times.
Don’t let people see you any other way — your success depends on it! Whether you succeed or fail in life depends on the consistent impression you make. On which path will your destiny unfold? Our new nose reformer, “Trados” (model 25) corrects nose deformities without surgery, quickly, effectively and permanently. The treatment is without discomfort and, because it works at night, will not get in the way of your everyday activities.
Ask for our free brochure, which explains how to correct a deformed nose. There is no charge if you not satisfied.
M. Trilety, Facial specialist
1568 Ackerman Bldg., Binghampton, N.Y.
Comments(6)



When was the last time some poor, lost soul walked up to you in the street and asked you for directions?
Frank Sinatra played Montreal many times over the years. (What was going through my head, not catching the last Rat Pack tour in the … was it the … 1980s?) Anyway, the late, legendary bookmaker, Harry Ship, booked Sinatra for the princely advance sum of $15,000. That according to William Weintraub, whose books are required reading for … well for everybody. Here’s an ad that appeared in The Gazette in 1953. Sinatra was still with Ava Gardner at the time. The club, the Chez Paree, is still there. It’s a “strip establishment” now.

Standing on the arms of our plush seats. But in fact, the Undertones absolutely stole the show. Out of spite for our liking Feargal Sharkey and company, I suppose, the Clash kept us waiting. Not long ago, the subject of the Clash came up and I told the arts editor of a major daily newspaper — a big fan of the Clash he — that I had had the pleasure. And he said, “I hate you.”